Sunday, February 26, 2017

Media Law in the News 4: Ed Sheeran Sued for Copyright Infringement for "Thinking Out Loud"

Summary of the Case

In the summer of 2016, the famous British pop-singer Ed Sheeran faced a second copyright infringement suit of the year, the latter being over his hit song “Thinking Out Loud”.  This suit was one in a series of several copyright and plagiarism suits that have been circulating in the media during 2015 and 2016.

The plaintiffs, the heirs of the composer Ed Townsend, who was the composer behind Marvin Gaye’s “Let’s Get It On”, claim how Sheeran’s “hit song "Thinking Out Loud" copies core elements of the late soul singer's 1973 track”.

This case has often been compared to the lawsuit that Marvin Gaye’s family filed against Robin Thicke and Pharrell, stating how Thicke’s “Blurred Lines” copies Gaye’s famous song “Got to Give It Up”. The said suit was resolved in $7.4 million in damages for the Gaye family. Hence, many critics cannot shy away from drawing lines in between the two cases. Nonetheless, in Ed Sheeran’s case, Gaye family has held their distance from being involved, letting Ed Townsend’s heirs to tackle the case.

In the details of the lawsuit, it is stated that Ed Sheeran “copied the major aspects of the melody, harmony and composition of ‘Let’s Get it On’ for his hit “Thinking Out Loud’ ”. As the comparison of two songs was given in the article, the gist of the songs’ melodies and harmonies truly resemble each other.

This suit, however, seems to find its roots in social media comments that were motivated by the Spin’s article, in which the author of the article explains in detail how much resemblance do the two hits, “Thinking Out Loud” and “Let’s Get It On”, actually have. So, after publishing its critique to the Sheeran’s no.1 hit, many social media users took their time to point out the flaws in the Sheeran’s famous song. Otherwise, it is questionable whether this suit would even find its way to court if it weren’t for the power of mass and social media.

Legal Questions

Considering the fact that the precedent of the Sheeran’s copyright case is set in Robin Thicke’s and Pharrells copyright infringement suit, it will be interesting to see how many details are going to be considered for Sheeran’s case. According to the article, “the precedent set in their case looms over all new copyright infringement claims. Notably, the court took into account not just sheet music, but studio arrangement too, and ruled that "Blurred Lines" significantly aped the vibe of "Got to Give It Up," something that had previously been beyond copyright protection”.

So as it can be seen, new aspects of copyright protection have been added to the law, which might guide the direction of Ed Sheeran’s case as well.

Relevant Doctrine

The category of law in this case is intellectual property, more specifically infringement of copyright (plaintiff’s case) that was brought about by Ed Townsend heirs. For the sake of the understanding, infringement is defined as an unauthorized distribution, use or sale of a product protected by copyright, trademark or patent law.

In order to be eligible for a lawsuit of infringement, the plaintiff’s work must have been previously protected by the copyright, which it was. The lawsuit was filed in 2016, whereas the song in the question, “Let’s Get it On”, in under copyright protection since 1973. Even though the song came out prior to January 1, 1978, it is still protected by the copyright law, as it hasn’t yet been 95 years since the song’s release.

The plaintiff must be able to prove the following four points in order to successfully win the infringement lawsuit in court: whether the work is protected by a valid copyright/ patent law, it also must prove the ownership of the patent that was registered in the official institution for that. Finally, the plaintiff must be able to prove one of the following two aspects – whether there is evidence the defendant directly copied the work, or did the infringer have access to the work, and the two works are substantially similar.

Is the work protected by a valid patent law?

Yes. According to the article, the song was released mid-1970s, where the song had to be officially and legally registered to gain copyright protection, as soon as it was put in some kind of tangible medium (presumably vinyl record at the time). Hence, rational conclusion is that the lawsuit against Sheeran wouldn’t be possible if the plaintiff didn’t disclose a document proving its legal copyright protection.

Does the plaintiff own the copyright?

Yes. With the lawful copyright protection that had to be registered and couldn’t be automatically assigned to the published work, it can be assumed that the plaintiff has the ownership over the copyright.

Was the patent registered in the Copyright Office?

Although this information is not given in the article, it may be acceptable to guess that the copyright protection was issued to the plaintiff in the relevant institution. As it was stated previously, any work released prior to January 1, 1978 had to be registered and granted copyright protection. Also, further looking at the level of fame of the song, and other work by Ed Townsend, it can be assumed that all of his work must have been lawfully protected and registered in the Copyright Office.

Is there evidence the defendant directly copied the work, or did the infringer have access to the work, and the two works are substantially similar?

Considering the facts given in the article, the plaintiffs claim that “[t]he melodic, harmonic, and rhythmic compositions of ‘Thinking’ are substantially and/or strikingly similar to the drum composition of ‘Let’s’ ”. Hence, in this particular case, the plaintiff chose to answer the latter question in the attempt to prove the copyright infringement.

Taking into account the given facts in the analysis of the plaintiff’s case, it can be concluded that, even with the assumed elements of the case due to the lack of information in the article, the plaintiffs have a strong case against the defendant (Ed Sheeran). However, since the analysis hasn’t touched upon the Fair use or Transformative Use defense, it cannot be claimed that the plaintiff’s case would be actually successful.

Conclusion

Contemporary laws on copyrights are limiting new and emerging artists and creators in building off of some previous works. Nonetheless, after listening to both of the songs (‘Thinking Out Loud” and “Let’s Get It On”), the melody and the harmony seem to be substantially similar. Additionally, through the analysis of the plaintiff’s case for infringement, it seems as if Ed Townsend heirs meet all the standards in order to successfully prove the infringement case against Sheeran in court.

Nonetheless, since the articles covering this story were fairly vague and didn’t offer a lot of technical details of the case, there are still many elements that could weigh the case either way.

References





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